{"title":"Drop 0012 26-08-13","description":null,"products":[{"product_id":"daft-punk-random-access-memories","title":"Daft Punk - Random Access Memories (Vinyl 2LP)","description":"\u003cp data-start=\"273\" data-end=\"483\"\u003eReleased in 2013, Random Access Memories is the fourth studio album from \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eDaft Punk\u003c\/span\u003e\u003c\/span\u003e, the French duo of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eThomas Bangalter\u003c\/span\u003e\u003c\/span\u003e and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eGuy-Manuel de Homem-Christo\u003c\/span\u003e\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp data-start=\"485\" data-end=\"754\"\u003eRecorded with a wide range of live musicians, the album is built from studio performances rather than samples, marking a clear shift from the duo’s earlier, more electronic production. Drawing from disco, funk and soft rock, it leans into arrangement, texture and feel.\u003c\/p\u003e\n\u003cp data-start=\"756\" data-end=\"939\"\u003eCollaborators include \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eNile Rodgers\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003ePharrell Williams\u003c\/span\u003e\u003c\/span\u003e and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eGiorgio Moroder\u003c\/span\u003e\u003c\/span\u003e, shaping the album’s direction throughout.\u003c\/p\u003e\n\u003cp data-start=\"941\" data-end=\"1116\"\u003eTracks like \u003cem data-start=\"953\" data-end=\"964\"\u003eGet Lucky\u003c\/em\u003e, \u003cem data-start=\"966\" data-end=\"981\"\u003eInstant Crush\u003c\/em\u003e and \u003cem data-start=\"986\" data-end=\"1006\"\u003eGiorgio by Moroder\u003c\/em\u003e focus on groove, performance and restraint, building a record that values musicianship as much as production.\u003c\/p\u003e\n\u003cp data-start=\"1118\" data-end=\"1160\"\u003eA shift in method.\u003cbr data-start=\"1136\" data-end=\"1139\"\u003eStill unmistakable.\u003c\/p\u003e","brand":"Daft Punk","offers":[{"title":"Default Title","offer_id":42418817204309,"sku":null,"price":84.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/7079\/7909\/files\/daft-punk-random-access-memories-vinyl-lp.webp?v=1776751326"},{"product_id":"red-hot-chilli-peppers-blood-sugar-sex-magic-vinyl","title":"Red Hot Chilli Peppers - Blood Sugar Sex Magic (Vinyl 2LP 180g)","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eThree of them moved into a ten-bedroom house on Laurel Canyon Boulevard and made the record that turned them from a cult live band into a phenomenon. Rick Rubin produced it there, tracked over seven weeks in the middle of 1991, and the close-quarters feel is all over the finished thing. Chad Smith wouldn't sleep there and rode home each night, which somehow suits it. Nothing sounds polished into position. Flea's bass leads, Smith's drums land dry and heavy, and John Frusciante plays with a looseness that keeps pulling the songs off centre.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eThe album swings hard between modes. \"Give It Away\" and \"Suck My Kiss\" are pure kinetic funk, delivered at speed. \"I Could Have Lied\" drops to acoustic guitar and open air, while \"Breaking The Girl\" starts there and collapses into a junkyard percussion break. And in the middle of side C sits \"Under The Bridge\", a song about isolation and addiction that Anthony Kiedis reportedly wrote alone and never meant to show the band, closing on a choir featuring Frusciante's mother. Seventeen tracks, ending with a Robert Johnson cover cut outdoors on a hill in the grounds at two in the morning, traffic audible in the background.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eReleased 24 September 1991, it became the band's commercial breakthrough and one of the defining records of the decade. This is the Warner Bros. reissue, cut at Bernie Grundman Mastering and pressed at Optimal, pressed on 180g vinyl across four sides.\u003c\/p\u003e","brand":"Red Hot Chilli Peppers","offers":[{"title":"Default Title","offer_id":42798234468437,"sku":null,"price":83.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/7079\/7909\/files\/red-hot-chilli-peppers-blood-sugar-sex-magic-vinyl-lp.jpg?v=1785311624"},{"product_id":"cavs-sojourn-vinyl-lp-clear-orange","title":"Cavs - Sojourn (Vinyl LP Clear Orange EcoSonic )","description":"\u003cdiv role=\"feed\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv role=\"article\" tabindex=\"0\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"group group\/message-row\"\u003e\n\u003cdiv class=\"contents\"\u003e\n\u003cdiv class=\"group relative relative pb-[var(--msg-assistant-pb,0.75rem)]\"\u003e\n\u003cdiv class=\"font-claude-response relative leading-[1.65rem] [\u0026amp;_pre\u0026gt;div]:bg-bg-000\/50 [\u0026amp;_pre\u0026gt;div]:border-0.5 [\u0026amp;_pre\u0026gt;div]:border-border-400 [\u0026amp;_.ignore-pre-bg\u0026gt;div]:bg-transparent [\u0026amp;_.standard-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.standard-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8 [\u0026amp;_.progressive-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.progressive-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3 [\u0026amp;_\u0026gt;_*:last-child]:mb-0 print:block print:[\u0026amp;_\u0026gt;_*_+_*]:mt-3 standard-markdown\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eMichael Cavanagh has spent fifteen years behind the kit in King Gizzard \u0026amp; The Lizard Wizard, a band not known for sitting still. \u003cem\u003eSojourn\u003c\/em\u003e is his second solo album and it goes somewhere else entirely: ten wordless instrumentals built on spiritual jazz, prog and kosmische, with flute and saxophone carrying as much of the load as the drums do.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eHe made it with Jim Rindfleish, drummer with Melbourne fusion outfit Mildlife, who co-wrote every track, co-produced, engineered and mixed the record and plays drums, percussion and synth on it. With two drummers credited across the album, rhythm sits at the centre of everything rather than underneath it. Around them the label assembled a group drawn from Melbourne's players: Adam Halliwell on flute and guitar, Archibald Pommelhorse on saxophones and clarinet, Selene Messinis on piano and keys, Joe Walker on bass, Robyn Poppins on congas and bongos, and Freedom Fly on harp.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eThe titles do the world-building on their own — \"Victoria Amazonica\", \"Emerald Nile\", \"Silk Road\", \"Boitatá\", \"Paititi\", \"Candiru\" — Amazon flora and fauna, Brazilian fire myth, a lost Incan city, an old trade route. Nothing is explained. The record moves between rhythmic drive and long open passages and lets you place yourself in it.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eMastered by Joseph Carra. Layout and typography by Jason Galea, King Gizzard's longtime visual collaborator, with photography by Sarah Findlay. Pressed on recyclable injection-moulded PET rather than PVC, with screen-printed labels directly on the disc instead of paper, a printed inner sleeve, and a thick brown paper outer sleeve in place of shrinkwrap.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flex justify-start ml-0.5\"\u003e\n\u003cdiv class=\"text-secondary\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"flow-root\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"ml-1 mt-6 flex items-center transition-transform duration-300 ease-out\"\u003e\n\u003cdiv class=\"p-1 -translate-x-px\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"h-px w-full pointer-events-none\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"CAVS","offers":[{"title":"Default Title","offer_id":42822973980757,"sku":null,"price":65.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/7079\/7909\/files\/cavs-sojourn-vinyl-lp-orange-record.jpg?v=1785829563"},{"product_id":"regurgitator-unit-vinyl","title":"Regurgitator - Unit (Vinyl 180g)","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eRegurgitator had a perfectly good rock band and decided to dismantle it. \u003cem\u003eUnit\u003c\/em\u003e is the sound of three people from Brisbane deciding that guitars were optional, that drum machines and cheap synth presets were funnier and better, and that the fastest way to make a point about pop music was to make an extremely good pop record. The opening track is called \"I Like Your Old Stuff Better Than Your New Stuff\". They knew exactly what they were doing.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eRecorded across the middle of 1997 at The Dirty Room in Brisbane with Magoo, it swings between bubblegum synth-pop, punk-speed alternative rock and something close to hip-hop, often inside the same three minutes. \"Polyester Girl\" is pure late-90s plastic sheen. \"Black Bugs\" is barely three minutes and gone. \"Just Another Beautiful Story\" closes the record on a string arrangement, a straight face and no punchline. Thirteen tracks, thirty-six minutes, almost nothing wasted.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eReleased in November 1997 on EastWest, it reached No. 4 on the ARIA chart, went triple platinum, and took five ARIA Awards in 1998 including Album of the Year. This is the Valve Records vinyl reissue, remastered for vinyl by Dom McGlinn and pressed on 180g at Zenith in Melbourne.\u003c\/p\u003e","brand":"Regurgitator","offers":[{"title":"Default Title","offer_id":42827519197269,"sku":null,"price":56.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/7079\/7909\/files\/regurgitator-unit-vinyl-lp.jpg?v=1785916613"},{"product_id":"khruangbin-con-todo-el-mundo-vinyl","title":"Khruangbin - Con Todo El Mundo (Vinyl 180g)","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eKhruangbin's second album is a record about distance. The Houston trio built their debut out of 1960s and 70s Thai funk and pop; for \u003cem\u003eCon Todo El Mundo\u003c\/em\u003e they turned toward the funk and soul of the Middle East, Iran in particular, and filtered it through a band that plays almost entirely without words.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eThe title came from Laura Lee's grandfather, who used to ask her \u003cem\u003ecómo me quieres\u003c\/em\u003e — how much do you love me — and would only accept one answer: \u003cem\u003econ todo el mundo\u003c\/em\u003e, with all the world. That warmth is the whole record. Lee's bass carries most of the melodic weight, Mark Speer's guitar answers it in long reverbed phrases, and Donald \"DJ\" Johnson keeps a backbeat so relaxed it barely registers as effort. \"Maria También\" arrived first as the lead single, \"August 10\" and \"A Hymn\" barely move at all, and \"Friday Morning\" takes nearly seven minutes to say goodbye.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eMost of it was cut in an untreated barn on Speer's family property outside Burton, Texas, a town of under three hundred people with no Wi-Fi and barely any phone reception, then finished at The Treehouse in Houston. Released 26 January 2018 through Night Time Stories and Dead Oceans. This is the UK 180g pressing, with download code included.\u003c\/p\u003e","brand":"Khruangbin","offers":[{"title":"Default Title","offer_id":42827525619797,"sku":null,"price":65.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/7079\/7909\/files\/khruangbin-con-todo-el-mundo-vinyl-lp.jpg?v=1785917714"},{"product_id":"bjork-post-vinyl","title":"Björk - Post (Vinyl LP)","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cem\u003ePost\u003c\/em\u003e is what happens when someone stops trying to make one kind of record. Björk had moved to London, had a debut that worked, and instead of repeating it she made an album that lurches from industrial clatter to a 1950s big-band number to a whispered lullaby and treats all three as the same gesture. It shouldn't hold together. It absolutely does.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eShe produced it herself with a rotating cast of collaborators, Nellee Hooper, Tricky, 808 State's Graham Massey and Howie B, most of them people she'd been in the same London clubs with. Much of it was recorded at Compass Point in Nassau over late 1994 and early 1995. \"Army of Me\" and \"The Modern Things\" had been written earlier with Massey in Manchester and were already live staples, so they arrived largely intact. Eumir Deodato arranged and conducted the orchestral parts that lift \"Hyperballad\", \"Isobel\" and \"You've Been Flirting Again\". \"It's Oh So Quiet\" is the only song here she didn't write, and it became the biggest hit of her career, reaching No. 4 in the UK and No. 6 in Australia.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eReleased 12 June 1995 through One Little Indian, it went to No. 1 in Iceland and No. 2 in the UK, and is certified platinum in Australia, the UK, the US and Canada. Sleeve design by Me Company, cover photograph by Stéphane Sednaoui, with Björk's cover jacket designed by Hussein Chalayan.\u003c\/p\u003e","brand":"Björk","offers":[{"title":"Default Title","offer_id":42827528405077,"sku":null,"price":58.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/7079\/7909\/files\/bjork-post-vinyl-lp.jpg?v=1785918451"},{"product_id":"nightmares-on-wax-smokers-delight-vinyl","title":"Nightmares on Wax - Smokers Delight (Vinyl 2LP)","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eBy 1995 George Evelyn had already helped define one Warp sound. \u003cem\u003eSmokers Delight\u003c\/em\u003e is him walking away from it. Where the early Nightmares On Wax records were bleeps and rave breaks, this one slows everything to a crawl and builds a full album out of the hour after the club, all dub bass, jazz keys and soul samples worn soft.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eEvelyn produced, mixed and programmed it across three Yorkshire studios, Fon in Sheffield, T.T.B. in Wakefield and Touchwood in Leeds, with a small cast of players brought in to keep it from sounding like a machine. Robin Taylor-Firth's keys turn up across half the record, Chris Dawkins plays the guitar that stretches \"Pipes Honour\" past nine minutes, and Shovell adds percussion to the closer. Underneath it all sit the samples that give the record its warmth, Quincy Jones on \"Nights Introlude\", The Dells on \"Me + You\", Smokey Robinson on \"(Man) Tha Journey\".\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eReleased 25 September 1995 on Warp, it barely troubled the charts and went on to become one of the most quietly influential British records of the decade, the template for two decades of downtempo that followed. This is the Warp gatefold double LP reissue, cut at Loud Mastering and pressed at Optimal, with printed card inners and a download code.\u003c\/p\u003e","brand":"Nightmares on Wax","offers":[{"title":"Default Title","offer_id":42827542364245,"sku":null,"price":64.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/7079\/7909\/files\/nightmares-on-smokers-delight-vinyl-lp.jpg?v=1785919713"},{"product_id":"boards-of-canada-music-has-the-right-to-children-vinyl","title":"Boards of Canada\t- Music Has The Right To Children (Vinyl  2LP)","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eTwo brothers in a studio buried in the Pentland Hills, working from degraded tape, vintage synths and the sound of half-remembered childhood television. \u003cem\u003eMusic Has The Right To Children\u003c\/em\u003e arrived in April 1998 and immediately sounded like something recovered rather than made. Nothing on it is nostalgic in the obvious way. It's stranger than that, more like a memory you can't verify.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eMichael Sandison and Marcus Eoin had been making music together since the early 1980s, and the album pulled from work built up over years at Hexagon Sun, their own studio outside Edinburgh, across 1995 to 1997. Warp and Skam released it jointly in the UK, Matador in the US. The pieces run from one-minute fragments to six-minute drifts, and the sequencing treats both as equal, so \"Kaini Industries\" and \"Roygbiv\" carry as much weight as \"Telephasic Workshop\" or \"Pete Standing Alone\".\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eIt has since turned up on best-of-all-time lists at Pitchfork and Mojo, and its fingerprints are on two decades of ambient and electronic music that came after. This is the Warp and Skam gatefold double LP reissue, pressed at Optimal.\u003c\/p\u003e","brand":"Boards of Canada","offers":[{"title":"Default Title","offer_id":42827584995413,"sku":null,"price":58.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/7079\/7909\/files\/boards-of-canada-music-has-the-right-to-children-vinyl-lp.jpg?v=1785920033"},{"product_id":"jose-gonzalez-vestiges-claws-vinyl","title":"José González - Vestiges \u0026 Claws (Vinyl LP)","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eThis is the sound of a musician taking his time. Seven years passed between \u003cem\u003eIn Our Nature\u003c\/em\u003e and \u003cem\u003eVestiges \u0026amp; Claws\u003c\/em\u003e, and the record wears that patience openly. Fingerpicked nylon guitar, voice barely above conversational, percussion that ticks rather than drives. Nothing is hurried. Nothing is oversold.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eIt is González's third studio album, released on 17 February 2015, following \u003cem\u003eIn Our Nature\u003c\/em\u003e (2007). He produced it himself and wrote every track, making it the first of his albums built entirely from original material. His earlier records both leaned on reinterpretations of other people's songs, and their absence here shifts the weight squarely onto his own writing. The album was widely praised on release and went on to win an IMPALA Silver Sales Award and the IMPALA Album of the Year Award. \"Every Age\" and \"Leaf Off \/ The Cave\" were issued as singles.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eThe pull is in the repetition. Patterns loop and shift by degrees, harmonies arrive late and leave early, and songs resolve without announcing themselves. Warm, close, unshowy. An album that rewards the second and third listen more than the first.\u003c\/p\u003e","brand":"José González","offers":[{"title":"Default Title","offer_id":42829562314837,"sku":null,"price":56.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/7079\/7909\/files\/jose-gonzalez-vestiges-and-claws-vinyl-lp.jpg?v=1785983775"},{"product_id":"the-black-keys-delta-kream-vinyl","title":"The Black Keys - Delta Kream (Vinyl 2LP)","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eThis one grooves rather than builds. Hill country blues runs on repetition instead of chord changes, and \u003cem\u003eDelta Kream\u003c\/em\u003e leans all the way into that: a single riff, a single pocket, held long enough to turn hypnotic. Nothing is tidied up. You hear the room, the amps and the fingers on the strings.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eIt is the Black Keys' tenth studio album, released on 14 May 2021 through Easy Eye Sound and Nonesuch, and it is entirely covers. Eleven blues songs rooted in the Mississippi hill country, seven of them written by Junior Kimbrough and R.L. Burnside, alongside readings of material by John Lee Hooker, Fred McDowell, Ranie Burnette and Big Joe Williams. Dan Auerbach and Patrick Carney cut it at Auerbach's Easy Eye Sound studio in Nashville in December 2019, joined by Kenny Brown on electric guitar and Eric Deaton on electric bass, two players who spent years inside Burnside's and Kimbrough's own bands. Auerbach and Carney produced, Tchad Blake mixed, and the cover photograph is by William Eggleston. \"Crawling Kingsnake\" went out as the lead single.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eThe result sits closer to a documented session than a constructed album. Songs start mid-thought, stretch out, and end when they end. Warm, smoky and low-slung, best played loud enough that the low end starts moving furniture.\u003c\/p\u003e","brand":"The Black Keys","offers":[{"title":"Default Title","offer_id":42829571588181,"sku":null,"price":44.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/7079\/7909\/files\/the-black-keys-delta-kream-vinyl-lp.jpg?v=1785984761"}],"url":"https:\/\/juicyrecords.com.au\/collections\/drop-0013-26-08-13.oembed","provider":"Juicy Records","version":"1.0","type":"link"}